Tom Hardy reunites with Christopher Nolan in another intense, masked role. Within Nolan’s impressive filmography, Dunkirk stands out as one of his most underappreciated works.
The war film, released well after Nolan’s early independent projects, lacks the high-concept spectacle seen in movies like Interstellar or Inception. Instead, Dunkirk represents Nolan’s deep dive into historical storytelling, focusing on a lesser-known British conflict.
Nolan masterfully crafted a nonlinear narrative spanning three distinct timeframes. Rather than depicting the battle itself, the film highlights characters struggling in an overwhelming situation.
“I would say Dunkirk is my most experimental structure since Memento. I tried to give the audience an experience that would wash over them. They’ll sit back and—I won’t say enjoy the ride, because this is a very intense ride—but experience the film. I never want the audience to watch the film in an overly cerebral way. It’s not meant to be a puzzle. It’s meant to be an experience.”
This approach made Dunkirk a highly ambitious film, as Nolan told Time. His earlier work, Memento, also experimented with storytelling structure, portraying a man with short-term memory loss trying to solve his wife’s murder through a mix of chronological and reverse chronology. That film was an early sign of Nolan’s ability to tell complex, emotionally driven stories.
Christopher Nolan’s Dunkirk is a bold, experimental war film focusing on human endurance through a unique, nonlinear narrative designed to immerse rather than puzzle the viewer.